Sam Chada

OC-006·Overdue Conversation

The Cost of Ebooks: An Interactive Breakdown

Move the sliders and see what your library actually pays to lend a digital book. An interactive companion to Follow the Dollar, with every number sourced.

This is the same argument as Follow the Dollar, but you can poke at it. Everything here uses real, cited figures; the two calculators let you swap in your own. If you'd rather read the story straight through, start with that piece. If you want to hand a board member something they can play with, this is the page.

+91%Digital checkouts since 2020
0Ebooks a library actually owns

OverDrive circulation rose from 430M (2020) to 820M (2025). Libraries own none of it outright: every title is a license that expires.

Three players, one dinner party

The clearest way to explain who does what:

The host (your library)

Invites the whole town to dinner, but isn't allowed to own the food.

The rules (the publisher)

Sets the terms: "You can serve this dish for two years, then we take the plate back."

The gatekeeper (OverDrive)

Runs the toll road between the two and takes a cut of every plate that crosses it.

Demand went up. Ownership stayed at zero.

Digital borrowing has climbed every year since the pandemic. None of that spending buys a permanent copy.

Digital circulation, 2020–2025

OverDrive checkouts worldwide (ebooks, audiobooks, magazines), in millions.

View the numbers
YearCheckouts (millions)Change
2020430
2021506+18%
2022555+10%
2023662+19%
2024739+17%
2025820+11%
Source: OverDrive annual reports, via infoDOCKET 2023, 2024, and 2025.

Seattle Public Library

Case file · 2023–24

Britney Spears' The Woman in Me cost about $18 a physical copy but $64.99 per ebook license. Seattle spent roughly $35,000 on digital copies of that one title versus $2,500 in print. In 2023, 62% of its digital-book budget went just to buying extra copies for hold lists. It has since cut max digital holds from 25 to 10.

Source: KUOW · SPL.

Spokane Public Library

Case file · since 2012

Spokane has spent $3.3M to buy or lease about 87,000 digital copies since 2012. Because licenses expire, only about 42,000 are still lendable, roughly half gone. OverDrive content now eats more than a third of its $1.5M annual materials budget.

Source: Inlander.

Do the unit math yourself

A print book is bought once and circulates for years. An ebook license is bought again and again, and its cost is spread over a capped number of checkouts. Move the sliders to compare the cost per checkout.

$15
$10$30
26 checkouts
12 checkouts52 checkouts

At these settings the library license costs about $52.50 (roughly 3.5× retail).

Print book Owned $0.27/ checkout
Digital license Rented $2.02/ checkout

Markup per checkout: +648%

Assumptions: a print book lasts 50+ circulations (a common industry benchmark), and a library license runs about 3.5× retail. Both are illustrative; real prices vary by title and publisher. See the publisher table below for actual figures.

The markup, publisher by publisher

Here is what a single digital copy of a typical frontlist bestseller runs, next to the consumer price. These are representative figures; they vary by title and shift over time (track them at ReadersFirst).

  • Consumer ebookown forever
    $15
  • Simon & Schuster12–24 mo
    $25
  • HarperCollins26 checkouts
    $40
  • Penguin Random House24-mo term
    $55
  • Macmillan24 mo / 52 checkouts
    $60
  • Hachette24-mo term
    $60
Representative Big Five frontlist prices, reconciled with Follow the Dollar. Consumer copy is owned permanently; every library license expires.
Where does a $55 license go?

The split isn't publicly disclosed. OverDrive is private and reports nothing. This is reconstructed from author-earnings data and typical Big Five terms; OverDrive's actual cut isn't disclosed, and partial data puts its effective take in the 30 to 55% range.

Ebook license

OverDrive (platform)$22.00 40%
Publisher (edit, design, market)$25.00 45%
Author (~25% of net)$8.00 15%
Total$55.00
Reconstructed from Jane Friedman + typical Big Five terms. The platform that only hosts the file takes as much as the publisher that made it.

And the terms are OverDrive's to set. Its current Public Library Access Agreement lets it reprice the platform fee at will (§3.2), charge a fee to move content out (§3.3), and add or remove catalog titles at any time (§2.2). What the library signs is a "non-assignable, non-transferable, limited license," not a purchase.

The bargaining gap

Annual revenue, in billions. Libraries are a rounding error to the publishers they negotiate against, one library at a time.

  • Big Five publishers2023, aggregate
    ~$12B
  • US library e-materialsFY2019, latest published
    ~$449M

Big Five figure: sum of most-recent reported revenues (Penguin Random House ~$4.9B, HarperCollins ~$1.9B, Hachette Livre ~$3B worldwide, Macmillan and Simon & Schuster ~$1B each; the last two are privately held and don't report standalone). Library e-materials: ~$449M, the FY2019 IMLS Public Libraries Survey total and about 31% of collection spending; IMLS hasn't published a newer national total.

Price isn't the only lever. There's a sharper move sometimes called digital redlining: publishers don't just overcharge libraries, they can refuse to sell certain titles to libraries at all, or embargo new releases for weeks so a library can't buy the book when readers most want it. Macmillan's 2019 embargo (one copy of a new title for the first eight weeks) is the textbook case. Overcharging caps how much a library can buy; redlining caps what it's allowed to buy in the first place.

What digital crowds out

Library budgets are fixed. When the digital line grows, something else shrinks. Drag the slider to see what gives first.

15%
5%75%
  • Digital licenses15%
  • Staff38%
  • Print books17%
  • Building17%
  • Programs13%
Sustainable

Balance holds. Print, staff and programs stay funded.

Illustrative starting split (staff 45%, print 20%, building 20%, programs 15%); yours will differ. The point is the shape, not the exact percentages.

How we got here

Two histories run in parallel: who bought whom, and the fight over the rules.

How one private-equity firm came to sit on both sides of the library's digital shelf.

  1. 1986

    Founding

    OverDrive begins as a digitization service, founded by Steve Potash.

  2. 2003

    The library pivot

    Launches downloadable media for libraries with Cleveland Public Library, becoming the early market leader.

  3. 2010–11

    The partner becomes a rival

    Baker & Taylor, OverDrive's exclusive distribution partner since 2009, strikes an expanded deal with a rival distribution platform, LibreDigital, to feed the Blio e-reader. OverDrive sues in Delaware, alleging its partner took trade secrets to build a rival; the core claims survive dismissal, the outcome never goes public, and B&T launches Axis 360 right after. The two-platform market libraries relied on was born in a lawsuit.

  4. 2013

    Publishers consolidate

    Penguin and Random House merge into Penguin Random House, thinning the field libraries buy from.

  5. 2015

    Rakuten buys OverDrive

    Japanese retailer Rakuten acquires OverDrive for about $410M.

  6. 2020

    KKR buyout

    KKR (announced Dec 2019, closed June 2020) buys OverDrive for an estimated ~$775M and pushes toward platform lock-in.

  7. 2020

    RBdigital absorbed

    OverDrive takes RBmedia's library business and shuts down the rival RBdigital app.

  8. 2021

    Kanopy

    OverDrive acquires the library video-streaming service. Now one firm carries books, audio and video.

  9. 2023

    KKR buys Simon & Schuster

    For $1.62B. The same owner now holds the dominant platform and a Big Five publisher, setting terms on both sides.

  10. 2023–26

    Axis 360 winds down

    Baker & Taylor ends Axis 360; the remnants rebrand as Boundless, which goes dark in December 2025 when B&T collapses, then is revived in April 2026 by LibraryOne, a months-old startup with no track record. The alternative survives, barely.

Questions people ask

Why can't libraries just own ebooks like print?

Buying a Kindle book licenses it to you; a library buys a costlier license to lend it. Publishers treat it as a rental, not a sale, so the file can be made to expire.

Why so much more than retail?

Publishers price against a feared "lost sale," charging libraries roughly three to four times retail and adding expiration to mimic a print book wearing out. It's a business choice, not a cost.

Who is OverDrive?

The company behind the Libby app and about 90% of US library digital lending. It hosts the files and takes an estimated 30–55% of each license. It's owned by the private-equity firm KKR.

What can a library do?

Pull your own invoices, join a consortium, negotiate for perpetual access on backlist, and back contract-fairness legislation. Follow the Dollar lays out the steps.

How to help

Being angry on behalf of librarians isn't the same as changing anything. Here's where that energy actually moves the needle:

  • Get your library to publish its invoices. This pricing survives because it stays invisible. Ask your library to make its OverDrive spend public. One library's numbers is a data point; a hundred is a case for change.
  • Back contract-terms legislation. Connecticut, DC, and Rhode Island passed laws that regulate unfair license terms instead of copyright, the version designed to survive the court challenge that killed Maryland's law. Ask your state library association whether a bill is moving where you live, and tell your legislators you want one.
  • Push for consortium buying. Shared purchasing cuts per-checkout cost sharply. If your state has a digital lending consortium, join it. If it doesn't, ask your state library why not.
  • Follow the people already on this. ReadersFirst tracks publisher pricing and license terms; the ALA's ebook advocacy carries the national fight.

The fuller playbook, with every receipt, is in Follow the Dollar.

Sources