Windowing & Embargoes
What It Means
A windowing or embargo period means you can\'t provide access to content for a set time after publication. Publishers impose this on ebooks to protect print sales. A 6-month embargo means you can\'t buy the ebook until 6 months after hardcover release.
Why It Matters
Embargoes hurt patrons most when they need books most. Popular new releases aren't available in ebook form when demand is highest. Your collection feels incomplete. And vendor data shows embargo periods are increasingly used as a tool to force libraries to license at higher prices to get early access.
What to Ask For
"No embargo period, or maximum 30 days after hardcover release." For collections that must have embargoes, negotiate around popular titles. Many vendors will exempt bestsellers or high-demand works from embargo if you ask.
Negotiation Language: "Remove embargo periods entirely. If publisher mandates embargoes: define maximum embargo length, specify that it applies only to simultaneous releases (not backlist), and allow exceptions for high-demand titles."
Red Flags: "6-month or longer embargoes," "Vendor determines embargo timing," "Embargo periods may change without notice," or different embargo lengths for different patrons.
Use Restricted to Patrons Only
What It Means
Most contracts say content can only be used by patrons with valid library cards. This seems reasonable until you need it for staff training, consortium sharing, or public demonstrations. Contracts often make these exceptions illegal without explicit permission.
Why It Matters
Staff can\'t use databases to teach patrons proper research techniques. You can\'t share great resources with other libraries in your consortium. You can't demo content to your board. You technically violate your contract every time a staff member accesses content for anything other than helping a patron.
What to Ask For
"Authorized users include library patrons AND library staff performing work-related activities. Allow consortium member libraries to access content for assessment and training purposes. Permit board members, trustees, and municipal officials to view content during authorized visits."
Negotiation Language: "Define "Authorized Users" to include: current library patrons, library staff, board members, and other library users. Allow staff and consortium libraries to use content for professional development, staff training, and collection assessment."
Red Flags: "Only patrons may access," "Staff access prohibited except to manage patrons," "One-on-one use only," or no mention of staff training or consortium access.
Geographic Restrictions
What It Means
Geographic restrictions limit where content can be accessed. You might only be able to serve patrons in your city or state. If your library consortium spans three states, the vendor might restrict access by location. This was more common 10 years ago but still appears in older or international contracts.
Why It Matters
Geographic restrictions are increasingly incompatible with how libraries work. Virtual libraries, multi-state consortia, digital-first patrons, and hybrid work models make location-based access obsolete. Worse, defining "geographic service area" gets complex fast. Does a patron on vacation count? What about remote workers?
What to Ask For
"Remove geographic restrictions entirely. If absolutely required: define your service area clearly (e.g., "All patrons with valid [Library Name] cards, regardless of location"). Specify that off-site access for library patrons is permitted."
Negotiation Language: "License covers all patrons with valid [Library] library cards, regardless of physical location. Geographic service area is defined by library's service population, not by IP address or physical boundaries."
Red Flags: "Access limited to physical library location," "IP-based access only," "Geographic restrictions to [specific area]," or restrictions on remote/virtual patron access.
Content Removal and Curation Control
What It Means
Publishers and vendors sometimes reserve the right to remove content from their platforms, hide specific titles, or curate what you can access. They might pull content due to copyright disputes, demand from powerful groups, or business decisions. You need clarity on whether you control your collection or the vendor does.
Why It Matters
If the vendor can unilaterally remove titles, you can\'t guarantee your collection\'s integrity. You might be paying for content that disappears. Intellectual freedom principles mean you choose what to collect, not the vendor. When vendors hide books due to complaints, you've lost collection autonomy.
What to Ask For
"Vendor may not remove content without written notice and [30-day] notice period, except for legal requirements. Any removal entitles library to price adjustment or termination. Library retains full control over which content is made available to patrons."
Negotiation Language: "Vendor may remove only content subject to valid legal order. Any other removal requires 30 days' advance notice and entitles library to credits or contract termination. Library controls all content curation and filtering decisions."
Red Flags: "Vendor reserves right to remove content at any time," "Content subject to editorial control," "Vendor may update collection without notice," or no notice period for removals.